|
|
||||||||
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1 Department of Clinical Research, Gemeinschaftskrankenhaus Herdecke, Herdecke, Germany; Institute of Mathematics, University of Witten/Herdecke, Witten, Germany
2 Institute of Complementary Medicine KIKOM, University of Berne, Berne, Switzerland
3 Institute for Noninvasive Diagnostics, Joanneum Research, Weiz, Austria
4 Institute for Noninvasive Diagnostics, Joanneum Research, Weiz, Austria; Physiological Institute, University of Graz, Graz, Austria
5 Department of Clinical Research, Gemeinschaftskrankenhaus Herdecke, Herdecke, Germany
* To whom correspondence should be addressed. E-mail: d.cysarz{at}rhythmen.de.
Objective of this study was to investigate the synchronization between low frequency breathing
patterns and respiratory sinus arrhythmia (RSA) of heart rate during guided recitation of poetry, i.e. recitation of hexameter verse from ancient Greek literature performed in a therapeutic setting. 20 healthy volunteers performed three different types of exercises with respect to a cross-sectional comparison: recitation of hexameter verse, controlled breathing and spontaneous breathing. Each
exercise was divided into three successive measurements: a 15-minute baseline measurement (S1), 20 minutes of exercise and a 15-minute effect measurement (S2). Breathing patterns and RSA were derived from respiratory traces and electrocardiograms, respectively, which were recorded
simultaneously using an ambulatory device. The synchronization was then quantified by the index
which has been adopted from the analysis of weakly coupled chaotic oscillators. During
recitation of hexameter verse
was high, indicating prominent cardiorespiratory synchronization.
The controlled breathing exercise showed cardiorespiratory synchronization to a lesser extent and all resting periods (S1 and S2) had even fewer cardiorespiratory synchronization. During spontaneous breathing cardiorespiratory synchronization was minimal and hardly observable. The results were largely determined by the extent of a low frequency component in the breathing
oscillations that emerged from the design of hexameter recitation. In conclusion, recitation of hexameter verse exerts a strong influence on RSA by a prominent low frequency component in the breathing pattern, generating a strong cardiorespiratory synchronization.
This article has been cited by other articles:
![]() |
L Bernardi, C Porta, and P Sleight Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and non-musicians: the importance of silence Heart, April 1, 2006; 92(4): 445 - 452. [Abstract] [Full Text] [PDF] |
||||
| HOME | HELP | FEEDBACK | SUBSCRIPTIONS | ARCHIVE | SEARCH |
| Visit Other APS Journals Online |